Last Friday on September 17 I had the privilege to see Yes in concert at the Chronicle Pavilion. Kevin Hultgren was kind enough to provide four tickets in the VIP section. This is definitely the way to see a concert. We had our own little box area with a table for food and drinks. All in all, an excellent environment for listening to a couple hours of live music.
I’ve actually been a Yes fan since high school when most of us were into 90215 and Big Generator — Yes’s two great albums from the Trevor Rabin era. I had seen Yes in concert once before during their tour in support of Union. This was when they combined the Trevor Rabin era band with the classic band. The result was certainly not a true union since the musicians would enter and exit the stage based on what song was being played. However, it was still a very good show.
The lineup Friday night had all the original members which the exception of drummer Bill Bruford. He was replaced by longtime member Alan White. Needless to say, they drew heavily from their classic 70’s catalog. The complete setlist follows:
Going For The One
I was kind of surprised they would choose this song to open with. The slide guitar introduction is very uncharacteristic of the traditional Yes sound.
Sweet Dreams
I was even more surprised to hear this one. Every band had an album or two from early in their career they would like to forget. Yes’ first two albums fall into that category. However, they decided to pull out Sweet Dreams from their second album for this concert. It was a nice rendition of an old song.
I’ve Seen All Good People
Now here we go. Yes’ career took off with their third album which contained this song. Great vocal harmonies, guitar work, and beautiful arrangement is why this song has held up well for so long.
America
Huh (part one)? What were they thinking? I don’t think this was ever included on a regular album but it was included on the 1991 compilation Yes Years. It’s a cover of a Paul Simon song and I have to admit this has never been one of my favorites.
South Side of the Sky
A great song from Yes’ definitive album Fragile. It sounded like they slowed down the tempo a bit but it still had a lot of emotional impact live.
Your Is No Disgrace
Another classic Yes song performed to perfection. They extended the end of this song to include a dueling solo segment between Steve Howe and Rick Wakeman. Very impressive.
The Clap
Steve Howe’s signature solo acoustic guitar piece. I don’t know how old Steve Howe is now but he looked quite old on stage. But he can still play like he did thirty years ago and has more energy and enthusiasm for his music than many musicians a third his age.
Long Distance Runaround
The acoustic version of this song was a joy to listen to.
Wonderous Stories
Huh (part two)? Surely there is a better song in their catalog to fill out the acoustic portion of the set.
Roundabout
Other than I’ve Seen All Good People this is probably one of Yes’ biggest hits from their classic era — mainly for Rick Wakeman’s mind-blowing keyboard work. I was hoping to hear the full treatment for this song but the acoustic version was a nice change of pace. Hearing Rick play his classic organ parts on piano was certainly interesting also.
Owner of a Lonely Heart
Yes’ biggest hit of all time. You could argue this song doesn’t really belong to the classic band since Trevor Rabin wrote this song and made it what it is. However, three of the guys on stage (Jon Anderson, Chris Squire, and Alan White) were part of the band that recorded this song back in 1983 and you can’t really have a Yes concert without this song. By doing this song acoustically they were able to make it their own.
And You and I
Here the band returns to their electric instruments. This is one of my favorite Yes songs because of the great orchestral keyboard part and perfectly complimentary slide guitar played over it. Jon Anderson said they wrote this song during a period of time where nothing else mattered to them except the music they were making together. It definitely shows.
Awaken
Chris Squire with his triple neck bass guitar. For the record he did actually play all three necks during the course of this twenty minute song. I don’t know what the differences are between them but he did play them all.
Starship Trooper
The way they build on the ending chord progression makes this the perfect closer. Ending a Yes concert any other way would be a crime.
In case you’re wondering, no, I didn’t memorize the setlist while at the show. I looked it up online the next day. If you search hard enough you can find the setlist for most big name shows online these days.
I haven’t listened to my Yes music for a while but going to this concert has re-ignited my inertest. The next day I went through my CDs and added some to my iTunes library. Yes music has something that a lot of modern progressive rocks acts don’t have; soul, feeling and real emotion. That’s what music is really about.